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Group of four country musicians.
Group portrait men in uniform with brass musical instruments.
The Moatsville String Ticklers band pose with their instruments. None of the musicians are identified.
Group portrait of the Star Band at Helvetia.
Group portrait of the Star Band at Helvetia, W. Va.
Man playing the violin while the woman is holding the book of music, Helvetia, W. Va.
'String music was important as well as brass music in Helvetia. Left to right: Jacob Looser, Ernest Burky, Olga Aegerter, Fred Burky, Jr., Paul Aegerter, and Fred Burky Sr.'
Man holding a trombone sitting beside a piano while a dog is sleeping beside him.
Six members of the Helvetia Brass Band with their instruments.
Members of the Helvetia Star Band attend a picnic.
Interior view of a Helvetia home - a guitar leaning on a couch, a bow and violin resting top of a pump organ.
Members of the Helvetia Band with their instruments, gather outside for a portrait.
Members of the Helvetia Band with their instruments, gather outside for photograph.
Members of the Helvetia Brass Band with their instruments.
(Left to Right) Jakob Looser, Burky, Olga Aegerter, unidentified, Paul Aegerter, Fred Burky.
Inscribed on the back, "Showing the Star Band, horse-drawn 'swing' (merry-go-round), homes (l-r) Gottlief Datwlyer, cobbler shop, community store".
Inscribed on the back, "Showing the Star Band, horse-drawn 'swing' (merry-go-round), homes (l-r) Gottlief Datwlyer, cobbler shop, community store".
Left to right:  Jacob Looser, Ernest Burky, Olga Aegerter, Fred Burky, Jr., Paul Aegerter, Fred Burky, Jr.
Four men with musical instruments, including banjo, guitar, and violin at Camp Crawford. Camp Crawford was a base for Company 1512 in the Charleston District, Fifth Corps Area.
A conductor of the WVU marching band on a stand conducts the band: a composite picture--an image of brass instrument is overlaid.
'Keith Simmons performing an old song variously titled 'The Devil's Quickstep,' and 'Old Aunt Jenny with the Nightcap On.' The instrument, a true dulcimer, is a family heirloom which was damaged during a Civil War skirmish. Simmons plays it with two mallets made of wool yarn wrapped on corset staies.'
'Mr. H.B. Bryant, Canvas (Nicholas County). Mr. Bryant is playing the 'dulcimer' which he made. He makes an excellent instrument and sells it for $12.50. It is actually a rebec, an oriental instrument which was brought to England during the Crusades.'
'Patrick Gainer, noted authority on folk culture, originator and master of ceremonies for the Glenville Folk Festival, plays 'Sugar in the Gourd,' a sprightly piece he heard frequently as a child. The instrument, a variation of the ancient rebec, was hand crafted for Gainer by a mountain friend.'
A photograph collected by West Virginian H. E. Methany documenting the dulcimer's place in world culture.
Norman Zumbach in the 'living room' of his trailer house / gun shop.
A portrait of a couple with children and extended family members; a male and a female are shown holding a banjo and a guitar.
One woman is holding a guitar.
A portrait of a young man and two young women; one of women poses with a banjo.
Looking at the building from across the street. Originally built in 1894, it was destroyed by a fire and rebuilt in 1935.
The Rhythm Rangers were radio stars on the "It's Wheeling Steel" radio broadcast, which was created in 1936 by Wheeling Steel Corporation advertising executive John L. Grimes. The radio broadcast was ran and operated by company employees and family members, the first of it's kind to utilize this model. This free, live performance, at the National Cornhusking Championship in Marshall, Missouri was a way to advertise the broadcast to a broader audience as well as to promote their products to farmers in the area.
The Rhythm Rangers were radio stars on the "It's Wheeling Steel" radio broadcast, which was created in 1936 by Wheeling Steel Corporation advertising executive John L. Grimes. The radio broadcast was ran and operated by company employees and family members, the first of it's kind to utilize this model. This free, live performance, at the National Cornhusking Championship in Marshall, Missouri was a way to advertise the broadcast to a broader audience as well as to promote their products to farmers in the area.
The Rhythm Rangers were radio stars on the "It's Wheeling Steel" radio broadcast, which was created in 1936 by Wheeling Steel Corporation advertising executive John L. Grimes. The radio broadcast was ran and operated by company employees and family members, the first of it's kind to utilize this model. This free, live performance, at the National Cornhusking Championship in Marshall, Missouri was a way to advertise the broadcast to a broader audience as well as to promote their products to farmers in the area.
Caption on back of photograph reads: "Music was played in every station where the train stopped long enough for the purpose." These musicians are likely the Rhythm Rangers, performers on the "It's Wheeling Steel" radio program which was created in 1936 by Wheeling Steel advertising executive John L. Grimes. The program was ran and operated exclusively by employees and immediate family members of the Wheeling Steel Corporation, the first radio broadcast to use this model. The program was used to promote both the company's product as well as it's employees.
These musicians are likely the Rhythm Rangers, performers on the "It's Wheeling Steel" radio program which was created in 1936 by Wheeling Steel advertising executive John L. Grimes. The program was ran and operated exclusively by employees and immediate family members of the Wheeling Steel Corporation, the first radio broadcast to use this model. The program was used to promote both the company's product as well as it's employees.
These musicians are likely the Rhythm Rangers, performers on the "It's Wheeling Steel" radio program which was created in 1936 by Wheeling Steel advertising executive John L. Grimes. The program was ran and operated exclusively by employees and immediate family members of the Wheeling Steel Corporation, the first radio broadcast to use this model. The program was used to promote both the company's product as well as it's employees.
The group of musicians is likely the Rhythm Rangers. These musicians, like all employees of the "It's Wheeling Steel" radio broadcast, were either employees or family members of employees of the Wheeling Steel Corporation. This radio broadcast was company advertising executive John L. Grimes idea to promote both the company's product and its employees. It began broadcasting in 1936 and ended in 1944.
Group is likely the Rhythm Rangers and it appears they are playing inside of a hotel, possibly in Marshall, Missouri during their stay for the National Cornhusking Championship, or somewhere else along the route from Wheeling, West Virginia to the competition. These musicians, like all who worked on the radio broadcast, were employees or immediate family members of the Wheeling Steel Corporation.
Group of musicians are likely members of the Rhythm Rangers, performers on the "It's Wheeling Steel" radio broadcast. This broadcast began in 1936 as a way to promote both Wheeling Steel Corporation's products and their employees who exclusively ran and performed on the broadcasts.
The group of musicians is likely the Rhythm Rangers. These musicians, like all employees of the "It's Wheeling Steel" radio broadcast, were either employees or family members of employees of the Wheeling Steel Corporation. This radio broadcast was company advertising executive John L. Grimes idea to promote both the company's product and its employees. It began broadcasting in 1936 and ended in 1944.
These performers were likely musicians on the "It's Wheeling Steel" radio broadcast. This radio broadcast was created by John L. Grimes, advertising executive at Wheeling Steel Corporation. The broadcast was ran exclusively by employees and family members of the Wheeling Steel Corporation. This excursion to Missouri was used to spread the name of the growing broadcast as well as to promote their products, including COP-R-LOY.
The group of musicians is likely the Rhythm Rangers. These musicians, like all employees of the "It's Wheeling Steel" radio broadcast, were either employees or family members of employees of the Wheeling Steel Corporation. This radio broadcast was company advertising executive John L. Grimes idea to promote both the company's product and its employees. It began broadcasting in 1936 and ended in 1944.
The group of musicians is likely the Rhythm Rangers. These musicians, like all employees of the "It's Wheeling Steel" radio broadcast, were either employees or family members of employees of the Wheeling Steel Corporation. This radio broadcast was company advertising executive John L. Grimes idea to promote both the company's product and its employees. It began broadcasting in 1936 and ended in 1944.
"Tony Biacco, steelmaker from Yorkville possesses two strong hands with which he capably handles ductillite and his accordion. His appearances on the family broadcast have been highly commendable. Now a regular in orchestra in 1943."
"The Steelmakers accompany Tom Care, employee from the Steubenville Works, as he headlines with a trumpet solo. Tom played "At The End Of a Perfect Day", which appealed to a great number of Wheeling Steel's nation-wide family."
Caption on back of photograph reads: "Part of Regina Colbert's lunch hour is devoted to catching up on correspondence with service men at home and overseas. The "Singing Secretary" writes weekly to a number of men in uniform." Regina Colbert was a performer on the "It's Wheeling Steel" Radio broadcast. This broadcast was ran exclusively by Wheeling Steel Corp. employees and family members, but as the program grew in popularity they began to hire performers with professional backgrounds, like Regina Colbert. However, in order to comply with his rule of an all employee only run program, he would hire these professionals to work in the offices for a period of time. In Colbert's case, she was hired to work as a secretary in the advertising department.
John L. Grimes was advertising executive of Wheeling Steel Corporation and was responsible for the creation of the "It's Wheeling Steel" radio broadcast in 1936. In 1941 the show was picked up by the National Broadcasting Company's Blue Network, as it grew in popularity. The Steel Sisters and The Musical Steelmakers were regulars on the broadcast. The Steel Sisters became so popular that they eventually left the show to tour with Horace Heidt and his orchestra. In 1943 the show took to the road throughout several cities in West Virginia to put on "Buy a Bomber" themed shows, where the host cities were challenged to buy enough enough Defense Bonds to purchase a medium or large sized bomber. Cities who accomplished the challenge would get their name placed on the plane as it flew to battle.
John L. Grimes was advertising executive of Wheeling Steel Corporation and was responsible for the creation of the "It's Wheeling Steel" radio broadcast in 1936. In 1941 the show was picked up by the National Broadcasting Company's Blue Network, as it grew in popularity (as evident by the microphone stands). In 1943 the show took to the road throughout several cities in West Virginia to put on "Buy a Bomber" themed shows, where the host cities were challenged to buy enough enough Defense Bonds to purchase a medium or large sized bomber. Cities who accomplished the challenge would get their name placed on the plane as it flew to battle.
From left to right: (?), Margie Greig, Regina Colbert, B.J. Evans, Lois Mae Nolte, Harriet Drake, M.J. Evans, (?), Tommy Whitley, and (?). Picture taken before or after the performance at WVU Field House, which was part of their "Buy a Bomber" series, where communities were challenged to buy enough Defense Bonds to purchase a bomber. The money raised in this circumstance exceeded all expectations and was the largest such fundraiser in Monongalia County, West Virginia.
From left to right: (?), Margie Greig, Regina Colbert, B.J. Evans, Lois Mae Nolte, Harriet Drake, M.J. Evans, (?), Tommy Whitley, and (?). Picture taken before or after the performance at WVU Field House, which was part of their "Buy a Bomber" series, where communities were challenged to buy enough Defense Bonds to purchase a bomber. The money raised in this circumstance exceeded all expectations and was the largest such fundraiser in Monongalia County, West Virginia.
Picture taken before or after the performance at WVU Field House, which was part of their "Buy a Bomber" series, where communities were challenged to buy enough Defense Bonds to purchase a bomber. The money raised in this circumstance exceeded all expectations and was the largest such fundraiser in Monongalia County, West Virginia.
Established in 1938, the Madrigal Singers of Clarksburg have been performing for more than 75 years.  During the 1940's through the 1970's, Bill James directed the group. E.W. "Bill" James wrote "My Home Among the Hills" for the West Virginia Centennial among other musical compositions.  The madrigal group performs some recent music, but primarily sings music dating from the English Renaissance while wearing period clothing.
Five members of the Madrigal Singers of Clarksburg group pose for a portrait in Los, Angeles, CA at the National Federation Music Clubs.Established in 1938, the Madrigal Singers of Clarksburg have been performing for more than 75 years.  During the 1940's through the 1970's, Bill James directed the group. E.W. "Bill" James wrote "My Home Among the Hills" for the West Virginia Centennial among other musical compositions.  The madrigal group performs some recent music, but primarily sings music dating from the English Renaissance while wearing period clothing.
A group sits listening around Edwards, who is playing an instrument. This photograph comes from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
A group including Connie and Leo Chabot lounge on a grass lawn. This photograph is from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
An unidentified man sits beside a table cluttered with pots and pans while plucking at his dulcimer. This photograph is from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
A group of unidentified musicians play beside parked cars. This photograph comes from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
Ira Mullins plays a fiddle and Ed Light plays a washboard. This photograph is from a series of images showing Appalachian Folk Music Festivals, including the Ivydale and John Henry Festivals.
Franklin George is pictured playing a fiddle behind a microphone. This photograph is from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
Franklin George and George Ward perform seated on a stage. This photograph comes from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
An unidentified woman performs on a stage positioned below a tree-covered hillside during a festival at Pipestem.  This photograph is part of a series of photographs showing Appalachian Folk Music Festivals, including the Ivydale and John Henry Festivals.
Beverly Cole is pictured at a campsite, with parked cars and pitched tents behind her. This photograph comes from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
A man wearing a hat is pictured sitting outside of a tent. This photograph comes from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
This photograph comes from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
Franklin George plays the fiddle with other musicians as a child dances.  This photograph comes from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
A woman, possible Della Taylor, with a tambourine watches as her associate, the Reverend Pearly Brown, plays the guitar on stage. This photograph comes from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
John Jackson plays a guitar and sings while seated behind a microphone. This photograph comes from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
Steve Beleuw plays guitar and sings while seated behind a microphone. This photograph comes from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
The two guitarists play together behind stage. This photograph comes from a series of photos from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.
Winters plays a banjo in a wooded area at a festival. This photograph comes from a series of photographs from Appalachian Folk Music Festivals, including the Ivydale and John Henry festivals.